OZYMANDIAS
The poem "Ozymandias" is a
powerful sonnet that examines the transience of authority, the conceit of
monarchs, and the unavoidable decay that comes with time. It is written in a unique structure that blends elements of the
Petrarchan and Shakespearean sonnet forms.
The
speaker starts by narrating the story that a traveller from an ancient land
(Egypt) told him. This narrative device distances the reader from the events,
emphasising how even stories of the once-mighty fade into hearsay. The
traveller describes the remnants of a massive statue lying in decay in a huge
desert. Only two enormous legs are standing, and a broken face (visage) is
partially buried in the sand close by.
The expression on the face, which depicts a "frown, and wrinkled lip, and
sneer of cold command", remains intact despite being fractured. This
striking imagery implies that the king (Ozymandias) was arrogant, proud,
and authoritarian. To demonstrate that art can maintain truths even after
empires fall, Shelley gives the sculptor credit for depicting not only the
king's appearance but also his attitude and underlying brutality.
On the
pedestal of the statue is an inscription that reads:
"My
name is Ozymandias, King of Kings;
Look on
my Works, ye Mighty, and despair!"
This
boastful claim reflects the king's pride and belief in the greatness and
permanence of his achievements.
This
declaration is quite ironic, though, because the area surrounding the statue is a barren, empty desert—"boundless and bare
/ The lone and level sands stretch far away." Nature has taken back the
land, and his "works" are no more. As a result, the poem turns into a
powerful commentary on the futility of human pride, the transient
character of political authority, and the timeless power of nature and
time.
Themes
Highlighted:
- The transience of human power
- Irony
and hubris of rulers
- The power of art and memory
- Time is the great eraser of all human glory
Poetic devices used
Here
are the major poetic devices used in the poem "Ozymandias"
by P. B. Shelley, along with examples and explanations:
1. Irony
Example:
"Look on my Works, ye Mighty, and despair!"
- This is dramatic irony. The
king boasts about his greatness, but all that remains is a ruined statue
in an empty desert. His pride is rendered meaningless by time.
2. Imagery
Example:
"Two vast and trunkless legs of stone / Stand in the desert..."
- Vivid visual imagery helps the
reader picture the ruined statue and desolate surroundings.
3. Alliteration
Examples:
- “cold command”
- “boundless and bare”
- “lone and level”
- Repetition of consonant sounds
enhances the musical quality and emphasises the desolation and tone.
4. Enjambment
- Several lines flow into the
next without a pause, which creates a natural, storytelling rhythm.
Example:
"Who said—‘Two vast and trunkless legs of stone / Stand in the desert...'"
5. Metaphor
- The statue itself is a metaphor
for human arrogance and the illusion of permanence.
6. Symbolism
- Ozymandias’s statue: symbolises human pride and the desire to be
remembered.
- Desert sands: Represent time and nature that erases all human
efforts.
7. Personification
Example:
"The hand that mocked them and the heart that fed"
- The sculptor’s hand and the
king’s heart are given human qualities to show emotional expression and
artistic intent.
8. Sonnet Form
- The poem is a 14-line sonnet,
combining Petrarchan and Shakespearean elements in structure
and rhyme.
Central Idea
The
central idea of "Ozymandias" is the impermanence of human pride
and power as well as the inevitable nature of deterioration. Shelley
illustrates how even the most powerful and arrogant monarchs will finally be
forgotten, their empires turned to dust over time, with the image of a shattered
statue in a wide, desolate desert.
The poem ridicules the ego of people who think their legacy will endure
forever and emphasises the pointlessness of human aspiration. All that is left
of Ozymandias, who once commanded reverence and fear, is a broken sculpture
with a humorous inscription. All remnants of human greatness are erased by time and nature, which are stronger than any monarch.
In essence, Shelley reminds us that time humbles all, and only art or memory may outlast the monuments
of pride.
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